OH: I was in Phoebe’s mom’s kitchen when we were working on that scene. Honestly, [in] earlier drafts, it was the other way around. I remember going to Phoebe, “This doesn’t feel right, this doesn’t feel right, I feel like the direction has to go the other way.” Which then sparked a lot of things for her to write. I remember straddling Phoebe with, I don’t know, some butter knife or a pencil, and then we were just basically talking out the scene: “And then it’s like this!” And then the next moment I was like, “What’s the next thing I would do? It would be like this!” [Makes stabbing motion] And then we both were like [astonished gasp]. For me, it was so exciting, not so much to fool the audience or whatever. I found it so exciting as a character to play. Like, “Whyyy?” Why is she doing that? And what does it mean to take it out? And what is it for Villanelle, who basically let her do it? She’s letting her do it, in some respects.